Buku Teks

Cosmopolitan, Nativist, Eclectic; Cultural Dynamics in Indonesian Musik Kontemporer

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Indonesian musik kontemporer corresponds to what in anglophone contexts is called contemporary music, or more precisely contemporary art music. But while its name derives from European-language terms and some of its practitioners are aptly characterized as Western-oriented, musik kontemporer is not
Simply the Indonesian instance of “the internationalization of twentieth-century avant-gardes” (Born 2000). No less prominent are traditionally-based composers, who with foundations in gamelan and other regional traditions have followed a different path to musical modernism and becoming cosmopolitan. Nearly all Western-oriented composers have “gone nativist,” writing also for traditional Indonesian instruments and the musicians that play them The most exemplary work is single-mindedly modernist or experimentalist, but there is also work by those who, in drawing upon more conventional idioms, Including those from the realm of pop. take a more eclectic approach This dissertation presents an overview of musik kontemporer as a whole, and accounts for how it came by its distinctive profile. It documents its emergence in the 1970s in two Western-oriented scenes in Jogjakarta and Jakarta, and one traditionally-based scene in Surakarta. It also reviews its prehistory, to clarify the connections or lack thereof between musik kontemporer and itsprecursors, and more importantly to identify the roots of the cultural dynamics that shaped the field as it emerged

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Ketersediaan

Informasi Detail

Judul Seri

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No. Panggil

R 780.902 Mil e

Penerbit

Middletown Connecticut : Wesleyan University., 2014

Deskripsi Fisik

xiv+554 hal.; 30 cm

Bahasa

English

ISBN/ISSN

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Klasifikasi

R 780.902

Tipe Isi

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Tipe Media

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Tipe Pembawa

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Edisi

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Subjek

Musik

Kontemporer
Adaptasi
folkor ande-ande lumut
Nativist

Info Detail Spesifik

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Pernyataan Tanggungjawab

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Versi lain/terkait

Lampiran Berkas

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