Tugas Akhir
Cosmopolitan, Nativist, Eclectic: Cultural Dynamics in Indonesian Musik Kontemporer
Indonesian musik kontemporer corresponds to what in anglophone contexts is called contemporary music, or more precisely contemporary art music. But while its name derives from european-language terms and some of its practioners are aptly characterized as western-oriented, musik kontemporer is not simply the Indonesian instance of the internationalization of twentieth-century avant-gardes. No less prominent are traditionally based composers, who whith foundations in gamelan and other regional traditions have followed a different path to musical modernism and becoming cosmopolitan. Nearly all Western-oriented composers have gone nativist writing also for traditional Indonesian instruments and the musicians that play them. The most exemplary work is single mindedly modernist or experimentalist, but there is also work by those who, in drawing upon more conventional idioms, including those from the realm of pop, take a more eclectic approach.
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