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Song, Songs and Singing
Dua puluh tahun terakhir atau lebih telah melihat gelombang kepentingan dalam filsafat musik. Namun ada relatif sedikit literatur filsafat yang ditujukan khusus untuk lagu, menyanyi dan musik vokal pada umumnya. Koleksi baru ini esai tentang aspek filosofis lagu dan bernyanyi meliputi artikel tentang hubungan antara kata-kata dan musik dalam lagu-lagu, ontologi lagu dan rekaman, makna dalam lagu, metafisika musik vokal di opera dan film, dan etika tantangan mengangkat kinerja lagu. Esai-esai membahas berbagai macam contoh, termasuk rock, lieder, lagu jazz, blues, doo wop, dan rap. esai baru oleh para filsuf terkemuka seni, termasuk Peter Kivy (dari "lagu realistis" dalam film), Jerrold Levinson (dari jazz menyanyi), Lee B. Brown (dari "penyanyi hipotesis" dalam musik populer), dan Ted Gracyk (pada pragmatik bahasa dan lagu makna). Makalah yang menawarkan teori tanah-melanggar dari apresiasi rekaman rock, implikasi etis dari lagu-lagu populer, ontologi karya seni fana, status ontologis dari cover version, dan bagaimana genre musik populer baik dapat mengekspresikan dan menjadi fungsi makalah konteks sosial yang menantang rekening yang ada topik yang banyak diperdebatkan, termasuk metafisika opera dan ontologi rekaman musik.
The last twenty years or so have seen a surge of interest in the philosophy of music. However there is comparatively little philosophical literature devoted specifically to songs, singing and vocal music in general. This new collection of essays on the philosophical aspects of song and singing includes articles on the relationship between words and music in songs, the ontology of songs and recordings, meaning in songs, the metaphysics of vocal music in opera and the movies, and the ethical challenges raised in song performance. The essays discuss a large range of examples, including rock, lieder, jazz songs, blues, doo wop, and rap. New essays by leading philosophers of art, including Peter Kivy (on "realistic song" in film), Jerrold Levinson (on jazz singing), Lee B. Brown (on the "minstrel hypothesis" in popular music), and Ted Gracyk (on linguistic pragmatics and song meaning). Papers that offer ground-breaking theories of the appreciation of rock recordings, the ethical implications of popular songs, the ontology of ephemeral artworks, the ontological status of cover versions, and of how a genre of popular music can both express and be a function of its social context papers that challenge existing accounts of much-debated topics, including operatic metaphysics and of the ontology of recorded music
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