Text
The Music of Painting
Komposer dan seniman selalu meminjam dari satu sama lain. Peter Vergo, untuk pertama kalinya, menawarkan studi mendalam tentang bagaimana dan mengapa, di era modernis, musik dan lukisan menjadi terkait. hubungan artis-komposer diperiksa termasuk bunga Debussy di Whistler, Tuner, dan Monet, daya tarik Franz Liszt dengan Raphael dan Michelangelo, Kandinsky dengan Schoenberg dan pengaruh Paul Klee dari Polyphonic musik. Bagaimana seniman berusaha untuk menerjemahkan irama musik, dan struktur ke dalam lukisan dan bagaimana musisi dikembangkan tema visual, semua dalam latar belakang modernisme, sebagai waktu perubahan besar dalam kebebasan, industri, ekspresi, kerangka ideologis, dan praktek artistik. Musik telah mengilhami beberapa seni yang paling progresif waktu kita dari lukisan abstrak Wassily Kandinskv untuk film eksperimental abad pertengahan Oskar Pischinger. Kepribadian yang berbeda dalam latar belakang dan pandangan mereka sebagai František Kupka dan Paul Klee baik dibuat 'fugue' lukisan. Demikian pula, tersebar luas kekaguman musik Johann Sebastian Bach.
Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined. Artist-composer relationships examined include Debussy's interest in Whistler, Tuner, and Monet, Franz Liszt's fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee's influence from Polyphonic music. How artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes, all within the backdrop to modernism, as time of huge change in freedoms, industry, expression, ideological frameworks, and artistic practice. Music has inspired some of the most progressive art of our time from the abstract painting of Wassily Kandinskv to the mid-century experimental films of Oskar Pischinger. Personalities as different in their background and outlook as František Kupka and Paul Klee both created ‘fugue’ paintings. Similarly, a wide-spread admiration for the music of Johann Sebastian Bach, the acknowledged master of fugue, affected not only painters in Paris on the eve of the First World War such as Georges Braque but also artists at the Bauhaus during the 1920s including the American Lyonel Feininger and the Swiss Johannes Itten
Ketersediaan
| BK069823 | 781.54 Ver m | Perpustakaan Pascasarjana | Tersedia |
| BK069824 | 781.54 Ver m | Perpustakaan Pascasarjana | Tersedia |
Informasi Detail
- Judul Seri
-
-
- No. Panggil
-
781.54 Ver m
- Penerbit
- New York : Phaidon., 2012
- Deskripsi Fisik
-
362 hal.; 23 cm
- Bahasa
-
English
- ISBN/ISSN
-
978-0-7148-6386-3
- Klasifikasi
-
781.54
- Tipe Isi
-
-
- Tipe Media
-
-
- Tipe Pembawa
-
-
- Edisi
-
-
- Subjek
- Info Detail Spesifik
-
-
- Pernyataan Tanggungjawab
-
-
Versi lain/terkait
Tidak tersedia versi lain
Lampiran Berkas
Komentar
Anda harus login sebelum memberikan komentar